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CLAMP is pleased to present Minor Spectacles, a solo exhibition of photographs by Adam Ekberg, which originated at the George Eastman Museum in Rochester, New York, where it was on display from January – September 2023. Ekberg builds constructions and executes experiments in front of the camera lens. These fabricated subjects are ephemeral and result in an event which ultimately exists only as a photograph.
GALLERIA CONTINUA is delighted to present the first exhibition dedicated to Julio Le Parc within its Les Moulins space, following an initial presentation shown at the gallery's Parisian space in the summer of 2023. An Argentine-born painter, sculptor, and visual artist who settled in France in 1958, Le Parc is a precursor of kinetic and Op Art and the winner of the Grand Prize in painting at the 33rd Venice Biennale's International Exhibition of Contemporary Art in 1966. Today, Julio Le Parc is celebrated as a pivotal figure in art history.
The George Adams Gallery is pleased to present selected works on paper by Peter Saul from the 1960s along with the public debut of the short film Pictures of Peter Saul. The film, shot in Mill Valley, California in 1969 by Kai Mel de Fontenay, offers a unique perspective into the artist’s outlook on the world, his artistic process, and his personal history during a transitional period in his career following his return to the United States after spending nearly a decade living in Europe.
Hauser & Wirth’s inaugural exhibition in Paris debuts new works by critically acclaimed Los Angeles artist Henry Taylor. Taylor’s exhibition in Paris, the artist’s first prominent show in France, comprises a wide range of over 30 paintings, sculptures and works on paper that encompass the remarkable breadth of his practice
Bo Bartlett believes in painting as an act of discovery. Drawing from a space of curiosity, wanderlust, and nostalgia, Bartlett’s process begins in the subconscious. Narratives unfold over time, resulting in monumental realist works, reminiscent of cinematic stills with nods to the Americana influences of Wyeth, Homer, and Rockwell. The immersive paintings present stories for viewers to explore and contemplate.
LIVES and WORKS at Thaddaeus Ropac Paris Marais is Lisa Brice’s first exhibition with the gallery. It is also the first solo presentation of the South-African-born, London-based painter’s work in France. In her latest body of work, Brice continues to challenge traditional representations of women in art history. Inheriting from and renewing the genre of the nude as painted by male artists, she transposes familiar scenes in an act of re-authorship that proposes an alternative to the power dynamics inherent in such images.
Viruses, stained-glass windows, Atari circuit-board patterns, and leaf structures all collide in the eleven new sculptural works in The Disappointment Engine, Jacob Hashimoto’s first solo exhibition at Miles McEnery Gallery. Loosely referencing East Asian craft traditions, the work also draws from the visual language of weeds and invasive species; radio telescopes; as well as the architecture of churches and mosques built during plagues, all to ask: how might visual sampling exist at the root of identity formation?
What I remember is the purity of the relationship of these young people and an innocence so different from today’s. As I look at these pictures, how the dancers touch each other, how they embrace [...] there’s a serenity that as a photographer I’m not used to. — Irving Penn, 1995
Shoshana Wayne Gallery is pleased to announce tomorrow is just a thought, Terri Friedman’s third solo exhibition with the gallery. tomorrow is just a thought will be on view from September 23 through November 22, 2023, with an opening reception on Saturday, September 23 from 4-6 PM.