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Hauser & Wirth is pleased to present its first exhibition dedicated to the work of celebrated painter Susan Rothenberg (1945 – 2020). The exhibition will present more than a dozen works drawn from the artist’s personal holdings and offer visitors a rare overview of the profound breadth of Rothenberg’s artwork.
The Rencontres de la Photographie in Arles return this summer with a new edition full of visual discoveries.
For several weeks, the city becomes an open-air museum, hosting exhibitions, screenings, and workshops.
Emerging photographers and renowned international artists come together, offering a unique panorama of contemporary creation.
Arles’ iconic venues are transformed into unexpected exhibition spaces.
It’s an invitation to explore, contemplate, and reflect on the world through the artists’ lens.
An unmissable event for photography lovers and curious minds seeking inspiration.
There is a singular resonance in things made without pretense—forms shaped by instinct, devotion, necessity, or play. American Vernacular: Art and Objects by Unknown Artists brings together a wide-ranging constellation of works that lie outside the boundaries of canonical art history. They were not created for galleries or museums, and many were never meant to be preserved. And yet, they endure as objects of magic and mystery.
This significant retrospectiive of works by Lucas Arruda features paintings, films, and installations from different periods of his career, including some produced specifically for the occasion. The exhibition, which will occupy the entire floor of the temporary spaces, will showcase the different aspects of his practice. Arruda is fundamentally concerned with landscape, human thought, and the experimentation of our capacity to live through the mediation of light and the gaze. His landscapes exist at the point of tension between abstraction and figuration, between appearance and emptiness.
Hollis Taggart is pleased to present The Making of a New World: Art of the 1980s, an exhibition that foregrounds the 1980s, a vital decade that set into motion the contemporary art world that exists today, with its explosive pluralism and configuration of artists, institutions, dealers, and collectors. In New York during the 1980s, artists produced work from the front lines of a complex sociopolitical landscape marked by urban gentrification, an unprecedented boom and bust of Wall Street following de-industrialization, the AIDS epidemic, culture wars, and the Reagan presidency. The exhibition will be on view at Hollis Taggart from July 31 to August 29.
Le L.A.C. à le plaisir de vous présenter son exposition d’été, réunissant les œuvres de Piet Moget, fondateur du L.A.C., de Carel Visser et de Wieteke Heldens. Cette exposition s’inscrit dans une dimension particulière : dix ans après leur disparition, le L.A.C. rend hommage à Piet Moget et Carel Visser. Leurs œuvres, à la fois rigoureuses, méditatives et ouvertes sur l’espace, entreront en résonance, témoignant d’une même exigence formelle et d’un lien profond avec le temps et la matière.
Retour sur l'histoire de la plus prestigieuse manifestation internationale d’art contemporain, créée en 1895, au travers de grandes figures qui l’ont marquée, comme la collectionneuse Peggy Guggenheim et les artistes Robert Rauschenberg, Nicolas Garcia Uriburu et Joseph Beuys.
GALLERIA CONTINUA is delighted to present YOUNGER (a fairy tale), 1980-1990, a solo exhibition by Nedko Solakov, at its Paris / Marais space.
career and presenting for the first time in France a historical body of his work, the exhibition offers a critical lens on the cultural tensions and transformations that shaped Bulgarian and Eastern European society between 1980 and 1990. In a historical moment on the verge of monumental change - marked by the Perestroika reform movement beginning in 1985, the fall of the Berlin Wall in 1989 and the eventual decline of the USSR - Solakov entered a pivotal decade of artistic production. His work during this period captures the transition from communism to capitalism, while also anticipating the uncertain realities that followed the collapse of the socialist regime.
This intimate exhibition, showcases a curated selection of key sculptures and drawings by Julio González from the 1930s, a pivotal decade in his artistic evolution. During this period, González refined his mastery of iron sculpture, pioneering a revolutionary approach to form, space, and material that would profoundly influence modernist sculpture. The works on view highlight his technical innovations as well as his ability to translate the expressive qualities of drawing into three-dimensional compositions. Through this focused selection, the presentation offers insight into González’s role as a trailblazer of welded metal sculpture and his lasting impact on the trajectory of modern art.
Todd Hosfelt combines approximately 200 drawings in an installation designed to reveal thematic and conceptual relationships across time and place. In drawings spanning the globe as well as the 16th to 21st centuries, from European Old Masters to geometric abstraction to photorealism, drawing on three-dimensional objects, drawings made with thread, made by fly larvae, and one drawn both with graphite and on it, this is an exploration of the intimacy, immediacy and pleasure of drawing.