News
RICHARD TAITTINGER GALLERY is thrilled to present Every Time I Fall In Love It’s Summer, the second solo New York exhibition by TIMOTHY GOODMAN (b. 1982). Following the success of his NYC 2021 show. This exhibition focuses on Goodman’s emotional affinity for summertime that includes childhood nostalgia, past heartbreaks, and New York City as a grounds for healing.
Nothing is easier to define than a target: a circle of colored rings used for shooting exercises. Why dedicate an exhibition to this simple shape? To demonstrate how it can encompass various and sometimes complex meanings. The goal, therefore, is not to provide an exhaustive inventory but to show how a theme that might seem simple can evoke many variations.
David Zwirner is pleased to announce I Spend Each Day Embracing Flowers, an exhibition of works by Japanese artist Yayoi Kusama that will feature new paintings, new sculptures elaborating on her signature motifs of pumpkins and flowers, and a new Infinity Mirror Room. Presented across the gallery’s 519, 525, and 533 West 19th Street locations in New York, this will mark ten years since Kusama’s first solo show with David Zwirner in 2013 and will be one of her largest gallery exhibitions to date.
Gagosian is pleased to announce Understanding the New Cognitive Domain, an exhibition of work by Takashi Murakami at the gallery in Le Bourget, focused on his monumental paintings. The exhibition features five such works plus others in smaller formats and several sculptures. This is the artist’s first exhibition with the gallery in France.
The Fondation Cartier pour l’art contemporain invites Australian artist Ron Mueck to exhibit an ensemble of sculptures previously unseen in France, along with iconic pieces from his career. Visitors will discover his monumental installation Mass (2017), presented for the first-time outside Australia, as well as new work created especially for the occasion which illustrates recent evolution in Mueck's practice.
Leslie Sacks Gallery is pleased to present Longhand, an exhibition by Tokyo born, Los Angeles-based Japanese American artist, Marc Katano. Longhand offers a survey of Katano’s work spanning three decades and examines the development of his work through the use of what Katano refers to as his “basic alphabet” of repeated forms. The shifts and changes of this visual vocabulary have resulted in the gradual transformation of Katano’s work. This idea--a line—runs through and informs every painting he makes.