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Almine Rech Brussels is pleased to present 'In my cloud (NO birds)', Jenny Brosinski's third solo exhibition with the gallery, on view from June 12 to July 26, 2025.
In 'In my cloud (NO birds)', Jenny Brosinski brings together painting and sculpture to form a cosmos in which materials and colors—surrounded by empty space—reveal their pure presence. What does it look like in the artist’s clouds, and what does the absence of birds suggest? What happens when something is not there, and how do you deal with emptiness? Brosinski approaches these questions in her signature style: dirty minimalism. Her work is reduced yet expressive, minimal but blooming with human gesture—always with a certain rawness. The clouds, or rather the air, become fluidly perceptible. There is no overload; instead, the focus is on painting that goes straight to the core. It’s about the essence of existence, which can also accommodate absence.
New York... Organized in collaboration with the Comité Picabia, and co-curated by its President, Beverley Calté, with art historian Arnauld Pierre, ‘Francis Picabia. Eternal Beginning’ is the first major exhibition to focus on the compelling final years of the French avant-garde artist’s prolific career. Traveling to New York from Hauser & Wirth Paris, this presentation features over 20 paintings created by Picabia between 1945—when he returned to Paris from the South of France—and 1952, the penultimate year of his life. Representative of Picabia’s restless artistic spirit, the works on view highlight his singular approach to abstraction, his iconoclastic tendency to repaint earlier works and his enduring attention to both surface texture and novel sources of inspiration.
Starting on 5 June, the artist Céleste Boursier- Mougenot is taking over the Rotunda of the Bourse de Commerce with his multisensorial installation "clinamen", which is being shown at an unprecedented scale, in resonance with the architecture of this site.
David Zwirner is pleased to present Animal Family, an exhibition of new paintings by American artist Joe Bradley at the gallery’s London location. This will be Bradley’s second exhibition with David Zwirner since the announcement of his representation in May 2023. His celebrated debut at David Zwirner New York, Vom Abend, was presented in spring 2024. In November 2025, a major survey of Bradley’s works from the past ten years will open at Kunsthalle Krems, Austria.
Gagosian a le plaisir d’annoncer une exposition de quatre photographies d’Andreas Gursky—deux nouvelles, une récente et une datant du début de sa carrière en 1980—qui ouvrira au 9 rue de Castiglione, à Paris, le 5 juin 2025.
Marian Goodman Gallery is pleased to present Sparrow on the Sea, featuring the eponymous new film by Yang Fudong, one of the most important Chinese artists working today. Yang opens the exhibition with a series of photographic film stills that provide us with glimpses of what is to come. In addition to the photographs, Yang presents two new series of mixed media and photographic works, Sparrow and Island, that enrich the overarching investigations of light, time, and memory present in Sparrow on the Sea. Please join us for a walkthrough of the exhibition led by Hamza Walker, Director of The Brick, on Wednesday, 21 May, at 7 pm. In 2004, Walker had the pleasure of working with Yang on the exhibition Yang Fudong: 5 Films at The Renaissance Society where Walker served as Associate Curator and Director of Education.
This summer, Brazilian artist Ernesto Neto is transforming the Nef of the Grand Palais d’été into an immersive, sensory space with Nosso Barco Tambor Terra (Our Drum Boat Earth), a monumental installation made of crochet, bark, and spices, inviting awe and shared experiences.
Photographer Stephen Shore wants his pictures to feel as natural as speaking. In this gallery tour, Shore reflects on his six-decade long career—from his early work taking pictures in Andy Warhol’s Factory to road trips across America.
Comment expliquer l'attrait inaltérable de la "reine des couleurs" ? Une éclatante plongée artistique dans le grand bleu, des fresques de Giotto à Padoue, aux vitraux de la cathédrale de Chartres, des "Nymphéas" de Claude Monet aux monochromes d’Yves Klein ou à la coupole de Miquel Barcelo au Conseil des droits de l’homme, à Genève.
Jeanne Vicerial, the young and sensationally talented French textile artist, has a new show at TEMPLON Paris where she unveils the result of two years spent exploring the notion of metamorphosis. For the Pupation exhibition, Vicerial fills the gallery’s original space in Rue Beaubourg in Paris with her “presences”, the large sculptures in crocheted or smoothed black thread that are so characteristic of her practice.