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Matthew Marks is pleased to announce Vincent Fecteau, Simone Leigh, Marisol, the next exhibition in his gallery at 1062 North Orange Grove and Marisol: Works on Paper, the next exhibition in his gallery at 7818 Santa Monica Boulevard in Los Angeles. Vincent Fecteau, Simone Leigh, Marisol brings together three sculptors who are each celebrated for their distinctive artistic vision. This unexpected dialogue centers on the ways in which these artists play with varying degrees of figuration and abstraction.
Black and White drawings, ink works and large-scale wash drawings have always played an essential role in the genesis of the works of Paul Signac, the great colourist. They are the common thread of our exhibition, the third dedicated to Signac by Galerie de la Presidence.
From June 28, 2025, to January 4, 2026, Jean-Michel Othoniel will unveil a vast artistic constellation in Avignon, the city of the Popes, with Love as its celestial vault. A major event, a first on a national scale, and the largest project ever conceived by the sculptor. With this exceptional exhibition, spread across 10 unique venues, Jean-Michel Othoniel will present more than 260 works for Avignon.
From 8 October 2025, the Bourse de Commerce is hosting a major exhibition dedicated to Minimalist art presenting for the first time more than a hundred major works that trace the diversity of this movement since the 1960s, when a whole generation of artists initiated a radical approach to art. Alongside these masterpieces from the Pinault Collection, loans from prestigious collections highlight the historical importance and international resonance of the themes that run through the exhibition.
»Infinite Ground«, Rana Begum’s solo exhibition at Galerie Christian Lethert, sees the London-based artist focus on the boundless relations and interactions of color. The exhibition extends throughout the entire gallery and includes relief works, paintings, and works on paper.
The Grand Palais invites artists Eva Jospin and Claire Tabouret to take over two galleries linked by a single entrance. On one side, Grottesco,a journey teeming with forests, caves and imaginary architectures; on the other, D'un seul souffle or behind-the-scenes of a monumental project: the future contemporary stained glass windows of Notre-Dame de Paris.
Robert Smithson with Leonor Antunes, Nairy Baghramian, Daniel Boyd, Tony Cragg, Tacita Dean, Pierre Huyghe, An-My Lê, Steve McQueen, Julie Mehretu, Ana Mendieta, Delcy Morelos, Bruce Nauman, Gabriel Orozco, Giuseppe Penone, Tavares Strachan, Álvaro Urbano, Adrián Villar Rojas, and James Welling
In 1968 Robert Smithson declared: “A great artist can make art by simply casting a glance.” This exhibition takes him at his word. Casting a Glance: Dancing with Smithson invites eighteen artists to join him on the floor as partners who resist, improvise, and extend the rhythm of his thinking.
The Petit Palais continues its exploration of the world of Finnish painters with a retrospective devoted to Pekka Halonen. The Petit Palais is paying tribute, for the first time in France, to Pekka Halonen (1865–1933), one of the major figures of the golden age of Finnish painting. With this unprecedented retrospective, the museum continues its exploration of the great foreign artists for whom Paris, at the turn of the 19th and 20th centuries, was a fundamental catalyst.
David Zwirner is pleased to announce an exhibition of paintings and works on paper by Joan Mitchell (1925–1992) that focuses on the years 1960 to 1965, a brief but critical juncture in the artist’s development. Capping off a yearlong celebration of the centennial of the artist’s birth, this presentation is curated by Sarah Roberts, senior director of curatorial affairs at the Joan Mitchell Foundation, and brings together a significant group of works from public and private collections, as well as that of the Joan Mitchell Foundation.
The exhibition “Picasso. Drawing 1903–1972”, presented by Marc Lebouc and the Galerie de l’Institut, brings together nearly seventy years of Pablo Picasso’s graphic creation. Conceived as a gentle walk through the inexhaustible richness of his drawing, it gathers a hundred works, many of which have not been seen for more than half a century. The chronological and thematic layout highlights the artist’s dazzling evolution: from the academic mastery of his early Barcelona years to the boldness of Cubism, from Surrealist experiments to the pure, distilled lines of his 1930s portraits.